Friend borrowed me Sony Nex-7 with wide angle converter lens for shooting movies. I will be trying out the camera tomorrow. 🙂
Exile
Recently I have been very moved about Jinmo’s music, and it helped me to reach into those feelings deep inside myself. So I thought to record my face while listening his album “Eden”, and then those feelings just came. It’s so beautiful that it hurts. So then I thought maybe my face can convey that feeling.
Check out Exile in Vimeo: https://vimeo.com/69947887
I was adopted when I was two years old, and I had to say goodbye to my grandma and all of my biological relatives. Adoption means actually to adapt. You just have to accept it. That’s extremely hard for two years old boy.
But these days I actually feel I’m kind of embraced by the world. So my feeling has changed, but that’s only just recently.
Then, it was great to visit Whole Creation today after a long time and I had chance to record beautiful voice of Kagaya. I love you guys, you’re so cool! 🙂
Here is link to Jinmo’s album Eden.
Learn more about JINMO.
Document: JINMO
I have started documentary project of JINMO. He is international Japan born avant-garde musician. I will document him and his life for two years.
This is undoubtedly the biggest and most important project I’ve ever done.
I recorded some thoughts on this projects in Vimeo in Japanese.
Learn more about Jinmo at: http://jinmo.com/
Gods of Earth and Heaven
Joel-Peter Witkin’s Gods of Earth and Heaven sent chills through my spine. Amazing, really honest piece of surreal photography that is also universal.
This appropriately named book might be shocking for some but for me I didn’t feel shock, just surprise. There’s nothing vulgar about it and nothing scandalous, but it’s more like surreal composition or strange documentary of humanity. The pictures really had smell to them, and then the bible-like cross on the cover is just wicked!
I was deeply surprised and impressed, not many photographs can do that to me nowadays. I must buy this book to study it further.
Andrei Singer and "Untitled"
I was recently followed by really nice photographer Andrei Singer. I really dig his photo stream, and especially this amazing fantastic shot “Untitled”
http://www.flickr.com/photos/andreisinger/
Fantastic cameraman.
Facebook Profile Picture
facebookのプロフィール写真撮ります。
リラックスした、自然な表情の写真は任せてください。
スタジオでの撮影も、公園や森の中など屋外での撮影も大丈夫です。
東京・横浜エリアで受け付けています。
料金(税込)10,000円
I can shoot interesting Facebook profile photo of you, in environment which you prefer, such as forest, indoors or in studio. In my photo, people have natural, relaxed look. I am available to work in Tokyo / Yokohama area.
The cost starts from 円10,000 (incl. tax.)
Pain of Photography
I find Susan Sontag’s words healing in some strange way, in this chapter she writes about photos of Arbus,
“According to Reich, the masochist’s taste for pain does not spring from a love of pain but from the hope of procuring, by means of pain, a strong sensation; those handicapped by emotional or sensory analgesia only prefer pain to not feeling anything at all.”
It could be argued that photographers seek connection to the world through their photos, great photographers often have had some traumatic event in some point of their lives, after which they find it difficult to connect to the world same way as other people can normally. Ordinary days feel so alien to us..
Photographs may become a way for people to feel something, but it’s at the same time, looking photographs also anesthetize.
Photography can be a way of ultimate cure, entire lifestyle which is built on supporting and protecting the artist’s soul. And at the same time, moments recorded on photographic paper turn into dust, photos themselves fade and disappear, and people forget them. Life is fragile like a piece of paper, other side being death, it takes a faint breeze of dust to flip it around, unexposed image becomes exposed.
Yet, recorded evidence of life makes somehow everything seem less painful, even though actually it might worsen the pain itself in form of nostalgia.
NYIP Feedback
I am really glad to receive the feedback, particularly on this outdoor shade photo. It seems this portrait of beautiful Kayo made impact for the NYIP instructor. The instructor quoted Pulizer winning photographer,
“When you are taking pictures, you just don’t want to take pictures what show the situation, you want to take pictures which show how it feels like to be there”
If I can be successful in showing audience the mood of the situation or my connection to the subject, then, taking photographs is the thing I want to do.
Session with Beautiful Kayo
I had great chance to have a little photo session with my friend and fellow cameraman Kayo. She turned out to be such a cute model with great intuition. Perhaps her intuition for being model came from her own experience as a photographer.
This image turned out to be the winner of yesterday’s shoot; there’s something that just turned right about this photo.
I used off-camera speedlite to add a bit of illumination to the subject with TTL turned off and manually dialing down the power of the flash so that it doesn’t overpower the ambient light which was already good to start. I removed flash spots from her eyes in Photoshop as they were a bit distracting from that angle.
I learned that in this situation, a bit off-camera flash can actually help to raise the overall exposure a bit, and remove some of the darker shades of the face which often result when shooting in outdoor shade. I always bring either flash or reflector as it can really help to add bit of necessary light to the subject.
Year with Bessa R3m
It wouldn’t be understatement to say that Bessa R3m is the best camera I have ever owned. The overall feel and response of the camera is just exactly what I like, the manual operation feels like Leica, and Bessa is a real rangefinder.
There’s something special what I really like about rangefinders, it’s that special connection you can make with the scene when focusing manually, and there’s no distraction, no mirror blocking your view on that decisive moment.
I have shot over over hundred rolls with this camera, which isn’t awfully a lot I admit, but it’s still quite much for me. I have shot T-Max, Tri-X, Ektar, Lomo and Fujifilm. I have shot in three continents, in freezing winter and in humid ocean environment. Not yet there has been camera malfunction of any kind.
It’s remarkably easy to load Bessa, and the mechanism is near flawless. It could be even argued to some degree that this camera is easier to load than Leica M6, the film rewind crank is straight and thus simpler than angled crank in M6. Sometimes however the tiny crank somehow lifts itself up; and when this happens the film forward lever stops working, it kind of jams, and usually when this has happened, there’s slight variance in empty space between exposures in frame, nothing much to worry, but can cause a bit headache when scanning negatives.
So far, my R3m has held up the test of time well. The rubber covering is coming off a bit, but can be fixed easily with glue. Viewfinder cover glass thing (Nikon’s one will fit) has fell of twice and I’ve just bought the replacement one from Yodobashi. Vertical alignment was a bit off since I purchased the camera, but it haven’t got any worse since then.
I also like the meter which automatically turns itself off after use. This is advantage over M6 since there’s no way to forget to turn off the camera, just to find out that the batteries have drained overnight. The metering is nicely made, and feels just right, since it shows the numbers in plus and minus scale.
The controls of R3m has became my second nature, in fact so much that whenever I pick up my X100, I feel strange. Nokton 40mm lens is amazingly sharp and has that lovely bokeh. For me it’s hard to tell difference between photos shot by this camera and those taken with Leica cameras equipped with expensive Leica glass.
Only thing what has bothered me several times is the shutter sound which is indeed a bit loud. And well, it doesn’t sound as cool as Leica’s amazing pleasant click. The shutter of R3m comes from Cosina’s cheap SLR line, so it just can’t match the German precision engineering, but it works, and it has double structure which is designed to minimize the risk of sunlight damage to the curtains. I don’t know exactly how this works, but it’s supposed to be more durable.
Otherwise, I really recommend Bessa R3m for everyone interested in Rangefinder shooting, it’s good idea to invest in Bessa body and invest in Leica lenses. When necessary, one can always switch to Leica M series body.
Read my in-depth review of Bessa R3m here.